SR-002 / A short film in development from Stump & Root Films

Phone of the Dead

Some calls should go unanswered.

Short film
Supernatural grief drama
Status: Casting
Phone of the dead
01 · The Story

A grieving man is left a phone that can call the dead.

A rotary phone appears on Jonah's doorstep, wrapped with a booklet of rules and a note that knows too much. He tells himself it is a cruel prank. Then he lifts the receiver, and the line is not dead.
The rules are simple and terrible. Five names in a lifetime. Sixty seconds each. No name called twice. And a warning, near the end of the book, that the caller does not get to choose what answers.
What follows is not a haunting so much as a temptation, a man who would give anything for one more minute with someone he lost, and a phone all too willing to give it. This is a film about grief, and about the people still living who keep trying to reach us while we sit in the dark, dialing the dead.
In the spirit of
The restraint of a grief drama, the dread of Hereditary, the bittersweetness of Arrival.
What it is really about
Grief is a form of love, but it is meant to propel us rather than hold us down.
The question it asks
If you could reach someone you have lost, one last time, what would you say?
Read carefully before use
Phone of the Dead
The Rules
I
Fix the person and their name clearly in your mind before you dial. You must have a photograph of them.
II
Sixty seconds. No more.
III
Five names in a lifetime. No name may be called twice.
IV
You must make the calls in isolation.
V
When you are finished, return the phone to the place you received it.
VI
Humans are not the only souls who may answer.
02 · The film

We are using the tools of horror to tell something far more tender than horror usually allows.

The elements of this story come from my own life. I know what it is to regret, to wish I had done better, to feel the particular ache of losing someone and replaying the last time you could have reached them.
That is the heart of this film. Grief, and the family who stand beside us in it, trying to help us find our way through. So the film gives its character the thing none of us get. If you could go back and talk to the person you are grieving one more time, what would you say, and what would you do?
Most short horror is built around a concept, a clever monster, a good jump, a gimmick. That has never been what I am after. I want to use the elements of horror to reach something deeper, the heart of what it means to love one another and to grieve one another, which is only love that has nowhere left to go. True love intercedes. It keeps calling, even when we will not pick up.
Tim Medina · Writer & director, co-written with Deb Medina
A note on the project
This is a family and friends passion project, serious in intent and joyful in the making. The story is co-written with my wife, family are building props, and the crew are collaborators who care about the work.
If you would like to help bring something true and strange and heartfelt into the world, this is the kind of thing made for you. Credit is given generously, and everyone who builds it shares in it.
Tim Medina · Writer & director
03 · The roles

Now casting five roles.

Jonah
Lead · Male · 30s
The center of the film. A man hollowed out by grief and guilt over his brother's death, reaching for the dead because he cannot forgive himself. A demanding, deeply interior role, most of it played alone, on the phone, with everything happening behind the eyes. Needs an actor who can carry stillness and break quietly.
Casting
Martha
Supporting lead · Female · 30s
Jonah's older sister, a nurse. The living person who never stops reaching for him, bringing food, tidying, refusing to let him disappear. Warm, worn, and the film's clearest picture of love that keeps showing up. The emotional counterweight to Jonah's grief.
Casting
Sam
Supporting · Male · 40s to 50s
The center of the film. A man hollowed out by grief and guilt over his brother's death, reaching for the dead because he cannot forgive himself. A demanding, deeply interior role, most of it played alone, on the phone, with everything happening behind the eyes. Needs an actor who can carry stillness and break quietly.
Casting
Naomi
Lead · Male · 30s
Jonah and Esau's late mother. Heard, not seen, a voice on the line, unmistakably herself, tender and evasive. A role that lives entirely in the voice.
Casting
Gad
Supporting · Male · 30s  · Voice
A cousin, deceased. What answers when Jonah dials him is warm at first, then something else. A voice role built on charm curdling into menace.
Casting
Roles are updated here as they are cast. Crew positions are open as well, across camera, sound, grip, makeup, and production. Tell us where you would like to help.
04 · Support the film

Independent films are built on borrowed time and shared gear.

If you would like to help this one exist, through funding, equipment, locations, or your own craft, we would love to talk.
Support goes straight to the things that put the film on screen. Everyone who supports it is credited and kept close to the journey, with updates from set and an invitation to the premiere.
What support makes possible
-
Camera, lighting, and sound for the shoot
-
Practical props, wardrobe, and set dressing
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Meals for a crew working for the love of it
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Editing, sound design, color, and original music
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Festival submissions once the film is finished
05 · Get involved

Tell us who you are and how you would like to be part of it.

Actor, cinematographer, grip, sound, or simply someone who wants to help. Every one of these is a real opening.
1
Send the form, and let us know the role or craft you are drawn to.
2
We reach out, share more about the film, and send the script or sides if you are auditioning.
3
Actors submit a self-tape or read. Crew and collaborators, we set a time to talk.
Prefer email? Write to hello@stumpandroot.co
Thank you. We have it.
We read every one of these ourselves, and we will get back to you within a few days. If you are auditioning, we will send the script and sides then.
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