SR-002 / A short film in pre-production from Stump & Root Films

Phone of the Dead

Some calls should go unanswered.

Short film
Supernatural grief drama
Status: Pre-production
Phone of the dead
01 · The Story

Six names. Sixty seconds each. Eight months after missing his brother's last call, Jonah is left a phone that can reach the dead. But humans aren't the only souls who answer.

A rotary phone appears on Jonah's doorstep, wrapped with a booklet of rules and a note that knows too much. He tells himself it is a cruel prank. Then he lifts the receiver, and the line is not dead.
The rules are simple and terrible. Six names in a lifetime. Sixty seconds each. No name called twice. And a warning, near the end of the book, that the caller does not get to choose what answers.
What follows is not a haunting so much as a temptation, a man who would give anything for one more minute with someone he lost, and a phone all too willing to give it. This is a film about grief, and about the people still living who keep trying to reach us while we sit in the dark, dialing the dead.
In the spirit of
The restraint of a grief drama, the dread of Hereditary, the bittersweetness of Arrival.
What it is really about
Grief is a form of love, but it is meant to propel us rather than hold us down.
The question it asks
If you could reach someone you have lost, one last time, what would you say?
Read carefully before use
Phone of the Dead
The Rules
I
Fix the person and their name clearly in your mind. A photograph must be present.
II
Six names in a lifetime.
III
No name may be called twice.
IV
The call must be made in isolation.
V
Sixty seconds.
VI
Humans are not the only souls who may answer.
02 · Stills
03 · The film

We are using the tools of horror to tell something far more tender than horror usually allows.

The elements of this story come from my own life. I know what it is to regret, to wish I had done better, to feel the particular ache of losing someone and replaying the last time you could have reached them.
That is the heart of this film. Grief, and the family who stand beside us in it, trying to help us find our way through. So the film gives its character the thing none of us get. If you could go back and talk to the person you are grieving one more time, what would you say, and what would you do?
Most short horror is built around a concept, a clever monster, a good jump, a gimmick. That has never been what I am after. I want to use the elements of horror to reach something deeper, the heart of what it means to love one another and to grieve one another, which is only love that has nowhere left to go. True love intercedes. It keeps calling, even when we will not pick up.
Tim Medina · Writer & director, co-written with Deb Medina
A note on the project
This is a family and friends passion project, serious in intent and joyful in the making. The story is co-written with my wife, family are building props, and the crew are collaborators who care about the work.
If you would like to help bring something true and strange and heartfelt into the world, this is the kind of thing made for you. Credit is given generously, and everyone who builds it shares in it.
Phone of the Dead, a short film in development from Stump & Root Films
Tim Medina · Writer & director
04 · The roles

The cast.

Jonah
Lead · Male · 30s
The center of the film. Eight months after missing his brother's last call, Jonah has stopped answering anyone. Hollowed out by grief and guilt, he reaches for the dead because he cannot forgive himself. A demanding, deeply interior role, most of it played alone, on the phone, with everything happening behind the eyes. A role built on stillness, and on breaking quietly.
Wesley Madara
Martha
Supporting lead · Female · 30s
Jonah's older sister, a nurse. The living person who never stops reaching for him, with the pharmacy bag he won't open, the takeout, the clean clothes, and the pastor she calls when he won't pick up. Warm, worn, and close to the end of her rope. The emotional counterweight to Jonah's grief.
Kelly Warren
Esau
Supporting · Male · 30s
Jonah's older brother, eight months gone. His last call is the one Jonah didn't answer, and his voicemail is the one Jonah can't bring himself to finish. Funny, reckless, and ashamed of how often everyone had to clean up after him. The film's turn belongs to him, and to the part of his last message Jonah has never let himself hear.
Jordan Donaldson
Sam
Supporting · Male · Late 30s
Jonah's old pastor and a friend of fifteen years. A father of two who shows up with donuts and pretends he was in the neighborhood. Gentle, plainspoken, and unwilling to leave Jonah alone with the phone. The voice of faith in the film, willing to risk the friendship to be heard.
To be announced
Naomi
Supporting · Female · Voice
The late mother of Jonah, Martha, and Esau, and the first name Jonah dials. Heard, not seen, a voice on the line, unmistakably herself, tender and evasive. A role that lives entirely in the voice.
Mabelle Davison
Gad
Supporting · Male · 30s · Voice
The man Esau was with the night he died, someone who has known the family since Jonah was a kid. What answers when Jonah dials him is warm at first, then something else. A voice role built on charm curdling into menace.
Jesse Josephic
Auditions are closed, and the film is moving into pre-production. Sam and Gad will be announced here once they are cast. Crew positions are still open, across camera, sound, grip, makeup, and production. Tell us where you would like to help.
05 · Support the film

Independent films are built on borrowed time and shared gear.

If you would like to help this one exist, through funding, equipment, locations, or your own craft, we would love to talk.
Support goes straight to the things that put the film on screen. Everyone who supports it is credited and kept close to the journey, with updates from set and an invitation to the premiere.
What support makes possible
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Camera, lighting, and sound for the shoot
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Practical props, wardrobe, and set dressing
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Meals for a crew working for the love of it
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Editing, sound design, color, and original music
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Festival submissions once the film is finished
06 · Get involved

Tell us who you are and how you would like to be part of it.

Cinematographer, grip, sound, makeup, or simply someone who wants to help. Every one of these is a real opening.
1
Send the form, and let us know the craft you are drawn to.
2
We reach out and share more about the film and the shoot.
3
We set a time to talk about where you fit.
Prefer email? Write to hello@stumpandroot.co
Thank you. We have it.
We read every one of these ourselves, and we will get back to you within a few days.
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